
Monica Pradhan is the daughter of parents who emigrated to the United States from India in the 1960s. She combined her experience and knowledge of other immigrants, along with her gifts from her parents, and wrote a beautiful novel of two generations of women, giving voice to each of them.
The story tells of three women, immigrants from India to the United States, close friends, members of what their adult daughters call "The Hindi-Bindi Club." Their three daughters, all in their thirties, tell their stories first, introducing their mothers. The daughters were expected to be friends, because their mothers were, but there has always been rivalries between them.
Kiran is thirty-two, a doctor who has returned home after a divorce, looking for reconciliation with parents who were opposed to her marriage. Her mother, Meenal, has kept a secret from Kiran. Meenal is very wise, and aware that a conflict in values and culture is part of the problem between her husband and daughter.
Kiran has always been jealous of Preity, the pretty one. She's happily married with two children, but she regrets a love she lost in India when she was just eighteen. Her mother, Saroj, is a culinary genius and a caterer. But, she's also the one who opposed her daughter's romance, because of ghosts in her own past. Saroj is haunted by the events of 1947 in India, the partitioning of the state, and the fallout in her own family.
Rani is the daughter of an Indian mother, Uma, and an American father. Rani is having a difficult time coping with change in her life, her husband's unhappiness with his work, and her own successful art career. However, Uma knows that her own mother committed suicide due to depression, and Rani has inherited that. Because of her own past, she's in tune with her daughter's emotions.
It's so difficult to sum up such a beautiful book, filled with Indian recipes, culture and history, but based on relationships. The Hindi-Bindi Club is more readable than Amy Tan's The Joy Luck Club, but it has a similar message about generational differences and culture.
Pradhan's characters give voice to her feelings about the value of the Indian culture. Kiran says of her mother, Meenal, "Even after spending her entire adult life in America and becoming a naturalized citizen, she still says, in her Indian lilt, 'I can never forget where I come from, the culture of my heritage. It will always be part of me, those first colorful threads woven into the tapestry of my life."
These are all warm, educated women that the reader would like to know. Pradhan skillfully educates the reader about Indian culture and history, while giving life to fictional characters. The Hindi-Bindi Club would be an excellent book for book discussion groups. There's so much meat to it, and so much I haven't touched on.
The poem that starts the book, by Rabindrantath Tagore from Stray Birds, sums up the book beautifully and the meaning I took from it.
Truth in her dress finds facts too tight.
In fiction she moves with ease.
Monica Pradhan's website is
www.hindi-bindi.com The Hindi-Bindi Club by Monica Pradhan. Bantam Books, ©2007. ISBN 978-0553384529 (paperback), 431p.